Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Wilhelm von Kobell
Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich

ID: 43935

Wilhelm von Kobell Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich
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Wilhelm von Kobell Gentleman on Horseback and Country Girl on the Banks of the Isar near Munich


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Wilhelm von Kobell

1766-1853 German Wilhelm von Kobell Gallery Kobell was born in Mannheim, the son of Ferdinand Kobell, a landscape painter who cited Claude Lorrain as his influence. Wilhelm's initial lessons were supplied by his father and his uncle, Franz Kobell. He received further training under Franz Anton, von Leydendorf and Egid Verhelst in the art of engraving at the Zeichnungsakademie in Mannheim. During this time he practiced various styles, including 17th-century Dutch painting and 18th-century English art. He was supported by Charles Theodore who compensated him an annual sum of 500 florins from 1792 until Theodore's death in 1799. Throughout his life Kobell traveled to England, France and Italy but ultimately based his style on Dutch art.  Related Paintings of Wilhelm von Kobell :. | Jager auf der Hochalm | Jager zu Pferd in oberbayerischer Landschaft | Riders on Lake Tegernsee II | Riders at the Tegernsee | Hunting Party on Lake Tegernsee |
Related Artists:
Lepine, Stanislas
French Impressionist Painter, 1836-1892
alexis de tocqueville
was born in Paris on July 29, 1805, of an aristocratic Norman family. He studied law in Paris (1823-1826) and then was appointed an assistant magistrate at Versailles (1827).
ARALDI, Alessandro
Italian Painter, ca.1460-1530 He apparently assisted with contemporary Cristoforo Caselli (il Temperello). His work shows the influences of early Venetian Renaissance painters such as Giovanni Bellini and Vivarini, but also Lorenzo Costa from Ferrara. He painted frescoes in the Benedictine monastery of San Paolo. He also painted two scenes with the story of St. Catherine, the Dispute before the emperor Maximilian and St. Catherine and St. Jerome, including an odd Annunciation (1514), for the abbess Giovanna da Piacenza (1514). Antonio Allegri (Correggio) would complete his own masterpiece frescoes for the abbess in a strikingly different, and for the age, more modern, style.






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